The Effect Of Gamma Rays On Man-In-The-Moon Marigolds
Basic Information About the
Play: I chose to talk about The Effect Of Gamma Rays on Man-In-the-Moon
Marigolds. I figure it will be easy to talk about it in detail and if anyone
reads my post, it may be interesting to then go see the show this week. The show was written by Paul Zindel more than
thirty six years ago. It was first Produced in Houston, Texas at the Alley
Theatre in 1964. It went on to be performed on Broadway in 1971. It had a very
successful run of 819 performances in New York.. It then won several awards. It
won an Obie Award, The New York Drama Critics Circle Award, and the Pulitzer
Prize. It ended up being so popular that a film version was created.
Basic Plot: The show is set in
the fifties right after sputnik. Tillie, the intelligent and hopeful twelve
year old endures abuse from her drunken mother and psychotic sister. The play
is centered around two major and contrasting themes. The first being the death
of dreams and the other being hope. Tillie decides to join the science fair in
order to channel her intelligence. She is inspired by her favorite teacher Mr.
Goodman. Her project has to do with radioactivity, atoms, and of course ,
marigolds. It could be argued the flowers are representations of the three main
characters. The decrepit, poisoned flowers being Beatrice (the mother), the
“normal” flowers portraying Ruth (the sister) and the mutated, outstanding
flowers representing Tillie.
Two Dramaturgical Choices:
- The
first dramaturgical choice I chose to address was the use of multiple spot lit
monologues performed by Tillie. Paul Zindel decided to add these extremely
personal and insightful speeches delivered by Tillie out to the audience. They seem to have been written to establish a
connection with the audience. It lets them into the beautiful mind of the
strong and hopeful twelve year old. She also introduces and closes the show.
Therefore the show is mostly told/ about her perspective. These speeches help
establish her as the protagonist. They are what keeps the audience rooting for
her.
-The
second dramaturgical choice I chose to address was the number of characters
Zindel decided to give voices and faces to. The only characters the audience
sees are Tillie, Beatrice, Ruth, Nanny, and Janice. Janice is only on stage for
a short monologue and Nanny never speaks. This makes it clear who the main
characters are. Through the use of multiple phone calls, Zindel introduces and
includes other necessary characters. Another reason for the phone calls is that
in order to have those discussions in person, Beatrice would have to leave the
house. Zindel makes the clear choice to never show Beatrice outside of the
house or leaving. Also, no outside characters come into the home. Other than
nanny who lives with them, outsiders remain outside.
I, of course, agree that this is a significant and noteworthy play. What you said about the house: "outsiders remain outside." I find that really interesting. I think Zindel was very clear about who he found to be the most significant and who he wanted an audience to focus on. Great post!
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